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The Original Series logo, common throughout the franchise
Star Trek is an American media franchise based on the science-fictiontelevision series created by Gene Roddenberry. The first television series, simply called Star Trek and now referred to as 'The Original Series', debuted in 1966 and aired for three seasons on NBC. The Star Trek canon includes The Original Series, an animated series, five spin-off television series, and thirteen films.
- 1Television series
- 1.8Future
- 2Feature films
- 2.1The Original Series films
- 2.2The Next Generation films
- 2.3Reboot (Kelvin Timeline) films
- 2.5Reception
- 6References
Television series[edit]
Seven television series make up the bulk of the Star Trek franchise: Star Trek: The Original Series, The Animated Series, The Next Generation, Deep Space Nine, Voyager, Enterprise, and Discovery. There are 759 episodes across 33 seasons.[a]
Star Trek | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|
Show | First aired | Last aired | Nr episodes | Nr seasons | Notes | 1080p? | Typical runtime | First-run station(s) | On DVD? | On Blu-ray? |
The Original Series | September 8, 1966 | June 3, 1969 | 79 | 3 | doesn't include the two pilot episodes | Yes | 50 minutes | NBC | Yes | Yes |
The Animated Series | September 8, 1973 | October 12, 1974 | 22 | 2 | Not-live action, cel animation | Yes | 23 minutes | NBC | Yes | Yes |
The Next Generation | September 28, 1987 | May 23, 1994 | 178 | 7 | Yes | 44 minutes | Syndication | Yes | Yes | |
Deep Space Nine | January 3, 1993 | June 2, 1999 | 176 | 7 | No | 43 minutes | Syndication | Yes | No | |
Voyager | January 16, 1995 | May 23, 2001 | 172 | 7 | No | 42 minutes | UPN | Yes | No | |
Enterprise | September 26, 2001 | May 13, 2005 | 98 | 4 | Yes | 42 minutes | UPN | Yes | Yes | |
Discovery | September 24, 2017 | 29 | 2* | Yes | 44 minutes | CBS All Access** | Yes | Yes | ||
Short Treks | October 4, 2018 | 4 | 1 | Yes | 15 minutes | CBS All Access | No | No | ||
All Series total | 758 | 33 |
*Third Discovery season planned
**The pilot was shown on CBS television network, thereafter exclusive to internet streaming TV service CBS:All Access (Netflix outside USA)
**The pilot was shown on CBS television network, thereafter exclusive to internet streaming TV service CBS:All Access (Netflix outside USA)
Star Trek (1966–1969)[edit]
William Shatner played Captain James T. Kirk in The Original Series, The Animated Series, and seven films.
Star Trek, more commonly known as The Original Series or TOS,[b] debuted in the United States on NBC on September 8, 1966.[1] The show tells the tale of the crew of the starshipEnterprise and its five-year mission 'to boldly go where no man has gone before.' The original 1966–69 television series featured William Shatner as Captain James T. Kirk, Leonard Nimoy as Spock, DeForest Kelley as Dr. Leonard 'Bones' McCoy, James Doohan as Montgomery 'Scotty' Scott, Nichelle Nichols as Uhura, George Takei as Hikaru Sulu, and Walter Koenig as Pavel Chekov.[2] During the series' original run, it earned several nominations for the Hugo Award for Best Dramatic Presentation and won twice: for the two-part 'The Menagerie', and the Harlan Ellison-written episode 'The City on the Edge of Forever'.[3]
NBC canceled the show after three seasons; the last original episode aired on June 3, 1969.[4] A petition near the end of the second season to save the show signed by many Caltech students and its multiple Hugo nominations would indicate that despite low Nielsen ratings, it was highly popular with science fiction fans and engineering students.[5] The series later became popular in reruns and found a cult following.[1] In the 2000s, the series was remastered for television, which included special-effect changes including CGI versions of the ships.[6]
The Animated Series (1973–1974)[edit]
The Animated Series logo
Star Trek, later marketed as The Animated Series to differentiate it from the live-action series, was produced by Filmation, and ran for two seasons from 1973 to 1974. Most of the original cast performed the voices of their characters from The Original Series, and some of the writers who worked on The Original Series returned, including D. C. Fontana, David Gerrold, and Paul Schneider. While the animated format allowed the producers to create more exotic alien landscapes and life forms, animation errors and liberal reuse of shots and musical cues have tarnished the series' reputation.[7] Although it was originally sanctioned by Paramount, which owned the Star Trek franchise following its acquisition of Desilu in 1967, Gene Roddenberry often spoke of TAS as non-canon.[8]Star Trek writers have used elements of the animated series in later live-action series and films, and as of June 2007, TAS has references in the library section of the official Startrek.com website, officially bringing the series into the franchise's main canon.[citation needed]
The Animated Series won Star Trek's first Emmy Award on May 15, 1975.[9]Star Trek: TAS briefly returned to television in the mid-1980s on the children's cable network Nickelodeon. Nickelodeon parent Viacom would purchase Paramount in 1994; in the early 1990s, the Sci-Fi Channel also began rerunning TAS. The complete series was also released on Laserdisc format during the 1980s.[10] The complete series was first released in the U.S. on eleven volumes of VHS tapes in 1989. All 22 episodes were released on DVD in 2006.
The Next Generation (1987–1994)[edit]
Patrick Stewart played Captain Jean-Luc Picard in The Next Generation and subsequent films.
Star Trek: The Next Generation, frequently abbreviated as TNG, takes place about a century after The Original Series (2364–2370). It features a new starship, Enterprise-D, and a new crew led by Captain Jean-Luc Picard (Patrick Stewart) and Commander William Riker (Jonathan Frakes). Some crewmembers represent new alien races, including Deanna Troi, a half-Betazoid counselor played by Marina Sirtis. Michael Dorn plays Worf, the first Klingon officer in Starfleet, alongside Gates McFadden as Dr. Beverly Crusher, LeVar Burton as chief engineer Geordi La Forge, the android Data portrayed by Brent Spiner, and Dr. Crusher's son Wesley Crusher played by Wil Wheaton.
The show premiered on September 28, 1987 and ran for seven seasons, ending on May 23, 1994. It had the highest ratings of any of the Star Trek series and became the #1 syndicated show during the last few years of its original run, allowing it to act as a springboard for ideas in other series. Many relationships and races introduced in TNG became the basis of episodes in Deep Space Nine and Voyager.[11] During its run it earned several Emmy awards and nominations—including a nomination for Best Dramatic Series during its final season—two Hugo Awards and a Peabody Award for Outstanding Television Programming for the episode 'The Big Goodbye'.[12] The series was released in high definition on Blu-Ray and Netflix with some special effect changes in the 2010s.[13]
Deep Space Nine (1993–1999)[edit]
Avery Brooks played Captain Benjamin Sisko in Deep Space Nine, commander of the titular space station.
Star Trek: Deep Space Nine, frequently abbreviated as DS9, takes place during the last years and the immediate post-years of The Next Generation (2369–2375) and aired for seven seasons, debuting the week of January 3, 1993. Like Star Trek: The Next Generation, it aired in syndication in the United States and Canada. Unlike the other Star Trek series, DS9 takes place primarily on a space station rather than aboard a starship.
The show begins after the brutal Cardassian occupation of the planet Bajor. The liberated Bajoran people ask the United Federation of Planets to help run a Cardassian-built space station, Deep Space Nine, near Bajor. After the Federation takes control of the station, the protagonists of the show discover a uniquely stable wormhole that provides immediate access to the distant Gamma Quadrant making Bajor and the station one of the most strategically important locations in the galaxy.[14] The show chronicles the events of the station's crew, led by Commander (later Captain) Benjamin Sisko, played by Avery Brooks, and Major (later Colonel) Kira Nerys, played by Nana Visitor. Recurring plot elements include the repercussions of the Cardassian occupation of Bajor, Sisko's spiritual role for the Bajorans as the Emissary of the Prophets, and in later seasons a war with the Dominion.
Deep Space Nine stands apart from earlier Trek series for its lengthy serialized storytelling, conflict within the crew, and religious themes—all elements that critics and audiences praised but Roddenberry forbade in the original series and The Next Generation.[15]
Voyager (1995–2001)[edit]
Kate Mulgrew played Captain Kathryn Janeway, the lead character in Voyager, and the first female commanding officer in a leading role of a Star Trek series.
Star Trek: Voyager ran for seven seasons, airing from January 16, 1995, to May 23, 2001, launching a new Paramount-owned television network, UPN. It features Kate Mulgrew as Captain Kathryn Janeway, the first female commanding officer in a leading role of a Star Trek series, and Commander Chakotay, played by Robert Beltran.[16]
Voyager takes place at about the same time period as Deep Space Nine and the years following that show's end (2371–2378). The premiere episode has the USS Voyager and its crew pursue a Maquis (Federation rebels) ship. Both ships become stranded in the Delta Quadrant about 70,000 light-years from Earth.[17] Faced with a 75-year voyage to Earth, the crew must learn to work together to overcome challenges on their long and perilous journey home while also seeking ways to shorten the voyage. Like Deep Space Nine, early seasons of Voyager feature more conflict between its crewmembers than seen in later episodes. Such conflict often arises from friction between 'by-the-book' Starfleet crew and rebellious Maquis fugitives forced by circumstance to work together on Voyager. Eventually, though, they settle their differences, after which the overall tone becomes more reminiscent of The Original Series. The starship Voyager, isolated from its home, faces new cultures and dilemmas not possible in shows based in the Alpha Quadrant. Later seasons brought in an influx of characters and cultures from prior shows, such as the Borg, Q, the Ferengi, Romulans, Klingons, Cardassians and cast members of The Next Generation.
Enterprise (2001–2005)[edit]
Scott Bakula played Captain Jonathan Archer, the lead character in Enterprise.
Star Trek: Enterprise, originally titled Enterprise, is a prequel to the original Star Trek series. It aired from September 26, 2001 to May 13, 2005.[18]Enterprise takes place in the 2150s, some 90 years after the events of Zefram Cochrane's first warp flight and about a decade before the founding of the Federation. The show centers on the voyages of Earth's first warp 5 capable starship, Enterprise, commanded by Captain Jonathan Archer (played by Scott Bakula), and the Vulcan Sub-Commander T'Pol (played by Jolene Blalock). The show originally did not include 'Star Trek' in its name and logo, adding it later on in the show's run.
During the show's first two seasons, Enterprise featured self-contained episodes, like The Original Series, The Next Generation and Voyager. The entire third season consisted of one arc related to the Xindi, and had a darker tone and serialized nature similar to that of Deep Space Nine. The fourth and final season consisted of several mini-arcs composed of two to three episodes. The final season showed the origins of some elements of previous series, and resolved some of their continuity problems. Ratings for Enterprise started strong but declined rapidly. Although critics received the fourth season well, both fans and the cast criticized the series finale, partly because of the episode's focus on the guest appearance of members of The Next Generation cast.[19][20][21] The cancellation of Enterprise ended an 18-year run of back-to-back new Star Trek television, which began with The Next Generation in 1987.
Discovery (2017–present)[edit]
Sonequa Martin-Green plays Commander Michael Burnham, the lead character in Discovery.
Star Trek: Discovery is a direct prequel to The Original Series, set roughly ten years beforehand.[22] It premiered September 24, 2017 in the United States and Canada on CBS before moving to CBS All Access,[23] while Netflix streams the show outside the United States and is also providing most of the show's funding.[24][25][26]
The show centers on the voyages of the Discovery, commanded by Captain Gabriel Lorca (played by Jason Isaacs), and Lieutenant Commander Michael Burnham (played by Sonequa Martin-Green), with Burnham being the lead character of the series. This marks the first Star Trek series to feature a First Officer as the lead character. The show features the Klingon T'Kuvma attempting to unite the 24 great Klingon houses, leading to a war between his race and the United Federation of Planets that involves the crew of the Discovery.[27][28]
Star Trek: Short Treks is a spin-off series of stand-alone short films which focus on characters and situations from Discovery. Some of the future episodes will be animated.[29]
Future[edit]
Picard[edit]
An upcoming CBS All Access series will see Patrick Stewart reprise his role as Jean-Luc Picard. Stewart himself announced this on August 4, 2018,[30] and later said the series would be set 19 years after the end of The Next Generation, or 10 years after Star Trek: Nemesis.[31] Jonathan Frakes of The Next Generation's cast, who has directed episodes of multiple Trek series, will direct two episodes of the first season.[32]
Lower Decks[edit]
On October 25, 2018, CBS All Access announced a two-season order for a half-hour adult animated comedy series created by Mike McMahan, the head writer and executive producer of Rick and Morty. It focuses on the support crew of 'one of Starfleet's least important ships,'[33] and shares a name with a Next Generation episode.
Untitled Philippa Georgiou series[edit]
Announced in January 2019, a live-action television series will focus on the mirror universe's Philippa Georgiou and her adventures as a member of Starfleet's Section 31 division. Michelle Yeoh will reprise her role from Star Trek: Discovery, with Bo Yeon Kim and Erika Lippoldt serving as co-showrunners. The series is reported to feature an ensemble cast.[34]
Untitled Nickelodeon animated series[edit]
In February 2019, it was announced that an animated series developed for young viewers is currently in development. The series is being co-written and created by Dan and Kevin Hageman and will air on Nickelodeon as a joint-venture with CBS.[35] It focuses on a group of teens who embark on an adventure upon an abandoned Starfleet ship.[36]
Feature films[edit]
Paramount Pictures has produced thirteen Star Trek feature films, the most recent being released in July 2016.[37] The first six films continue the adventures of the cast of The Original Series; the seventh film, Generations was designed as a transition from that cast to the cast of the Next Generation series; the next three films, 8–10, focused completely on the cast of the Next Generation series.[c] Starting with the eleventh film, the movies take place in an alternate timeline with a new cast playing the original series characters. Leonard Nimoy portrays an elderly Spock in these films, providing a physical link to the original timeline. This alternate timeline has been named by CBS, for the computer game Star Trek Online, the Kelvin Timeline.
Title | U.S. release date | Director |
---|---|---|
The Original Series | ||
Star Trek: The Motion Picture | December 7, 1979 | Robert Wise |
Star Trek II: The Wrath of Khan | June 4, 1982 | Nicholas Meyer |
Star Trek III: The Search for Spock | June 1, 1984 | Leonard Nimoy |
Star Trek IV: The Voyage Home | November 26, 1986 | |
Star Trek V: The Final Frontier | June 9, 1989 | William Shatner |
Star Trek VI: The Undiscovered Country | December 6, 1991 | Nicholas Meyer |
The Next Generation | ||
Star Trek Generations | November 18, 1994 | David Carson |
Star Trek: First Contact | November 22, 1996 | Jonathan Frakes |
Star Trek: Insurrection | December 11, 1998 | |
Star Trek: Nemesis | December 13, 2002 | Stuart Baird |
Reboot (Kelvin Timeline)[d] | ||
Star Trek | May 8, 2009 | J. J. Abrams |
Star Trek Into Darkness | May 16, 2013 | |
Star Trek Beyond | July 22, 2016 | Justin Lin |
Untitled Star Trek film | TBA | Quentin Tarantino |
The Original Series films[edit]
Star Trek creator Gene Roddenberry first suggested the idea of a Star Trek feature in 1969.[38] When the original television series was canceled, he lobbied to continue the franchise through a film. The success of the series in syndication convinced the studio to begin work on a feature film in 1975.[39] A series of writers attempted to craft a suitably epic screenplay, but the attempts did not satisfy Paramount, so the studio scrapped the project in 1977. Paramount instead planned on returning the franchise to its roots with a new television series, Star Trek: Phase II. The massive worldwide box office success of Star Wars in mid-1977 sent Hollywood studios to their vaults in search of similar sci-fi properties that could be adapted or re-launched to the big screen. When Columbia's Close Encounters of the Third Kind had a huge opening in late December 1977, Paramount was convinced that science fiction films other than Star Wars could do well at the box office, and production of Phase II was cancelled in favor of making a Star Trek film.[citation needed]
Star Trek: The Motion Picture (1979)[edit]
A massive energy cloud from deep space heads toward Earth, leaving destruction in its wake, and the Enterprise must intercept it to determine what lies within, and what its intent might be.
The movie borrows many elements from 'The Changeling' of the original series and 'One of Our Planets Is Missing' from the animated series. Principal photography commenced on August 7, 1978[40] with director Robert Wise helming the feature. The production encountered difficulties and slipped behind schedule,[41] with effects team Robert Abel and Associates[42] proving unable to handle the film's large amount of effects work. Douglas Trumbull was hired and given a blank check to complete the effects work in time and location;[43] the final cut of the film was completed just in time for the film's premiere. The film introduced an upgrade to the technology and starship designs, making for a dramatic visual departure from the original series. Many of the set elements created for Phase II were adapted and enhanced for use in the first feature films. It received mixed reviews from critics; while it grossed $139 million the price tag had climbed to about $35 million due to costly effects work and delays.
Star Trek II: The Wrath of Khan (1982)[edit]
Khan Noonien Singh (Ricardo Montalbán), whom Kirk thwarted in his attempt to seize control of the Enterprise fifteen years earlier ('Space Seed'), seeks his revenge on the Admiral and lays a cunning and sinister trap.
The Motion Picture's gross was considered disappointing, but it was enough for Paramount to back a sequel with a reduced budget. After Roddenberry pitched a film in which the crew of the Enterprise goes back in time to ensure the assassination of John F. Kennedy, he was 'kicked upstairs' to a ceremonial role while Paramount brought in television producer Harve Bennett to craft a better—and cheaper—film than the first.[44] After watching all the television episodes, Bennett decided that the character of Khan Noonien Singh was the perfect villain for the new film. Director Nicholas Meyer finished a complete screenplay in just twelve days, and did everything possible within budget to give The Wrath of Khan a nautical, swashbuckling feel,[45] which he described as 'Horatio Hornblower in outer space.'[44] Upon release, the reception of The Wrath of Khan was highly positive;[46]Entertainment Weekly's Mark Bernadin called The Wrath of Khan 'the film that, by most accounts, saved Star Trek as we know it'.[47]
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Both the first and second films have television versions with additional footage and alternate takes that affect the storyline. (Subsequent Star Trek films tended to have shorter television versions). Especially notable in The Wrath of Khan is the footage establishing that a young crew member who acts courageously and dies during an attack on the Enterprise is Scotty's nephew.
Star Trek III: The Search for Spock (1984)[edit]
The plot picks up shortly after the conclusion of the previous film. When McCoy begins acting irrationally, Kirk learns that Spock, in his final moments, transferred his katra, his living spirit, to the doctor. To save McCoy from emotional ruin, Kirk and crew steal the Enterprise and violate the quarantine of the Genesis Planet to retrieve Spock, his body regenerated by the rapidly dying planet itself, in the hope that body and soul can be rejoined. However, bent on obtaining the secret of Genesis for themselves, a renegade Klingon (Christopher Lloyd) and his crew interfere, with deadly consequences.
Meyer declined to return for the next film, so directing duties were given to cast member Leonard Nimoy. Free plagiarism detection software download. Paramount gave Bennett the green light to write Star Trek III the day after The Wrath of Khan opened.[48] The producer penned a resurrection story for Spock that built on threads from the previous film and the original series episode 'Amok Time'.[citation needed]
Star Trek IV: The Voyage Home (1986)[edit]
While returning to stand court-martial for their actions in rescuing Spock, Kirk and crew learn that Earth is under siege by a giant probe that is transmitting a destructive signal, attempting to communicate with the now-extinct species of humpback whales. To save the planet, the crew must time-travel back to the late 20th century to obtain a mating pair of these whales, and a marine biologist (Catherine Hicks) to care for them.
Nimoy returned as director for this film. Nimoy and Bennett wanted a film with a lighter tone that did not have a classic antagonist. They decided on a time travel story with the Enterprise crew returning to their past to retrieve something to save their present—eventually, humpback whales. After having been dissatisfied with the script written by Daniel Petrie Jr., Paramount hired Meyer to rewrite the screenplay with Bennett's help. Meyer drew upon his own time travel story Time After Time for elements of the screenplay.[citation needed] Star William Shatner was promised his turn as director for Star Trek V, and Nicholas Meyer returned as director/co-writer for Star Trek VI.
Star Trek V: The Final Frontier (1989)[edit]
Spock's half-brother (Laurence Luckinbill) believes he is summoned by God, and hijacks the brand-new (and problem-ridden) Enterprise-A to take it through the Great Barrier, at the center of the Milky Way, beyond which he believes his maker waits for him. Meanwhile, a young and arrogant Klingon captain (Todd Bryant), seeking glory in what he views as an opportunity to avenge his people of the deaths of their crewmen on Genesis, sets his sights on Kirk.
This is the only film in the franchise directed by William Shatner.
Star Trek VI: The Undiscovered Country (1991)[edit]
When Qo'noS' moon Praxis (the Klingon Empire's chief energy source) is devastated by an explosion, caused by over-mining, the catastrophe also contaminating Qo'noS' atmosphere, the Klingons make peace overtures to the Federation. While on the way to Earth for a peace summit, the Klingon Chancellor (David Warner) is assassinated by Enterprise crewmen, and Kirk is held accountable by the Chancellor's Chief of Staff (Christopher Plummer). Spock attempts to prove Kirk's innocence, but in doing so, uncovers a massive conspiracy against the peace process with participants from both sides.
This film is a sendoff to the original series cast. One Next Generation cast member, Michael Dorn, appears as the grandfather of the character he plays on the later television series, Worf. It is the second and last Star Trek film directed by Nicholas Meyer and last screenplay co-authored by Leonard Nimoy.
The Next Generation films[edit]
Both the sixth and seventh films acted as transitions between the films featuring the original cast and those with the Next Generation cast, with the sixth focusing on the original cast and the seventh focusing on the TNG cast. The Next Generation cast made four films over a period of eight years, with the last two performing only moderately well (Insurrection) and disappointingly (Nemesis) at the box office.
Star Trek Generations (1994)[edit]
Picard enlists the help of Kirk, who is presumed long dead but flourishes in an extra-dimensional realm, to prevent a renegade scientist (Malcolm McDowell) from destroying a star and its populated planetary system in an attempt to enter that realm. This film also included original crew members Scotty (James Doohan) and Chekov (Walter Koenig).
Following seven seasons of Star Trek: The Next Generation, the next Star Trek film was the first to feature the crew of the Enterprise-D, along with a long prologue sequence featuring three cast members of the original series and the only appearance of the Enterprise-B.
Star Trek: First Contact (1996)[edit]
After a failed attempt to assault Earth, the Borg attempt to prevent First Contact between Humans and Vulcans by interfering with Zefram Cochrane's (James Cromwell) warp test in the past. Picard must confront the demons which stem from his assimilation into the Collective ('The Best of Both Worlds') as he leads the new Enterprise-E back through time to ensure the test and subsequent meeting with the Vulcans take place.
The first of two films directed by series actor Jonathan Frakes.
Star Trek: Insurrection (1998)[edit]
Profoundly disturbed by what he views as a blatant violation of the Prime Directive, Picard deliberately interferes with a Starfleet admiral's (Anthony Zerbe) plan to relocate a relatively small but seemingly immortal population from a mystical planet to gain control of the planet's natural radiation, which has been discovered to have substantial medicinal properties. However, the admiral himself is a pawn in his alien partner's (F. Murray Abraham) mission of vengeance.
Insurrection brought in Deep Space Nine writer Michael Piller instead of Ronald D. Moore and Brannon Braga who had written for Generations and First Contact.[49]
Star Trek: Nemesis (2002)[edit]
A clone of Picard (Tom Hardy), created by the Romulans assassinates the Romulan senate, assumes absolute power, and lures Picard and the Enterprise to Romulus under the false pretext of a peace overture.
Written by John Logan and directed by Stuart Baird, this film was a critical and commercial disappointment (released December 13, 2002 in direct competition with Die Another Day, Harry Potter and the Chamber of Secrets and The Lord of the Rings: The Two Towers) and was the final Star Trek film to feature the Next Generation cast and to be produced by Rick Berman.
Reboot (Kelvin Timeline) films[edit]
Reboot film logo
After the poor reception of Star Trek: Nemesis and the cancellation of the television series Star Trek: Enterprise, the franchise's executive producer Rick Berman and screenwriter Erik Jendresen began developing a new film,[50] entitled Star Trek: The Beginning, which would take place after Enterprise but before The Original Series.[51] In February 2007, J. J. Abrams accepted Paramount's offer to direct the new film, having been previously attached as producer.[52]Roberto Orci and Alex Kurtzman wrote a screenplay that impressed Abrams, featuring new actors portraying younger versions of the original series' cast. The Enterprise, its interior, and the original uniforms were redesigned.
This revival of the franchise is often considered to be, and referred to as, a 'reboot', but it is technically a continuation of the franchise (Nimoy reprises his role of Spock from the previous films) that establishes an alternate reality from the previous films. This route was taken, over a traditional reboot, to free the new films from the restrictions of established continuity without completely discarding it, which the writers felt would have been 'disrespectful'. This new reality was informally referred to by several names, including the 'Abramsverse', 'JJ Trek' and 'NuTrek', before it was named the 'Kelvin Timeline' (versus the 'Prime Timeline' of the original series and films) by Michael and Denise Okuda for use in official Star Trek reference guides and encyclopedias. The name Kelvin comes from the USS Kelvin, a starship involved in the event that creates the new reality in Star Trek (2009). Abrams named the starship after his grandfather Henry Kelvin, whom he also pays tribute to in Into Darkness with the Kelvin Memorial Archive.[53][54]
Star Trek (2009)[edit]
In the 24th century, a supernova destroys Romulus. Piloting a one-man vessel, Spock (Leonard Nimoy) attempts to contain the supernova by generating an artificial black hole, but is assaulted by a Romulan mining vessel captained by Nero (Eric Bana), who is bent on vengeance for Spock's failure to save Romulus; both vessels are pulled into the black hole and sent back in time to the 23rd century. Nero then captures Spock and uses the black-hole technology to destroy Vulcan. Spock's present-day younger self (Zachary Quinto), who is a Starfleet Academy instructor, and a volatile and arrogant cadet named James Kirk (Chris Pine) must then set aside their current differences, and join forces to prevent Nero from consigning Earth and the rest of the Federation worlds to similar fates.
This film acts as a reboot to the existing franchise by taking place in an 'alternate reality' using the plot device of time travel to depict an altered timeline (known as the Kelvin Timeline, after the ship destroyed in the opening scene),[55] featuring younger versions of the original series' cast. It is the first production to feature an entirely different cast of actors playing roles previously established by other actors, with the exception of an aged Spock played by Leonard Nimoy. It was directed by J. J. Abrams (who produced it with Damon Lindelof) and written by Roberto Orci and Alex Kurtzman. According to Lindelof, this production was designed to attract a wider audience.[56] It received positive reviews[57][58][59] and a number of awards, including the film franchise's only Academy Award, for 'makeup and hairstyling'. A story that covered the events between Nemesis and Star Trek was released as the graphic novel Star Trek: Countdown in early 2009.
Star Trek Into Darkness (2013)[edit]
A Starfleet special agent (Benedict Cumberbatch), coerces an officer into blowing up a secret installation in London, shoots up a subsequent meeting of Starfleet brass in San Francisco, and then flees to Qo'noS. The crew of the Enterprise attempt to bring him to justice without provoking war with the Klingon Empire, but find there is much more to the agent's mission, and the man himself, than what the Fleet Admiral (Peter Weller) has told them; the agent is none other than Khan Noonien Singh; his allegiance and his motives are initially not at all clear.
Star Trek Beyond (2016)[edit]
The Enterprise is ambushed and destroyed by countless alien micro-vessels; the crew abandon ship. Stranded on an unknown planet, and with no apparent means of escape or rescue, they find themselves in conflict with a new sociopathic enemy (Idris Elba) who has a well-earned hatred of the Federation and what it stands for.
Star Trek Beyond was released on July 22, 2016, in time for the franchise's 50th anniversary celebrations. Roberto Orci had stated that Star Trek Beyond will feel more like the original series than its predecessors in the reboot series while still trying something new with the established material.[60] In December 2014, Justin Lin was confirmed as the director for the upcoming sequel,[61] marking the first reboot film not to be directed by J. J. Abrams, whose commitments to Star Wars: The Force Awakens restricted his role on the Star Trek film to that of producer.[62] In January 2015, it was confirmed that the film would be co-written by Doug Jung and Simon Pegg,[63] who revealed the film's title that May.[64]Idris Elba was cast as the villain Krall,[65][66] while Sofia Boutella was cast as Jaylah.[67] Filming began on June 25, 2015.[68] This is the last film of Anton Yelchin (Chekov), who died in an automobile accident on June 19, 2016.
Future[edit]
Pine and Quinto signed contracts to return as Kirk and Spock for a fourth film in the reboot series,[69] and Abrams confirmed plans for a fourth film in July 2016, stating that Chris Hemsworth would return as Kirk's father, whom he played in the prologue of the first film.[70][71] Later that month, Paramount announced the return of most of the Beyond cast and producers Abrams and Lindsey Weber; J. D. Payne and Patrick McKay were announced as the writers.[72] Abrams said that Chekov would not be recast following Yelchin's death in a motor vehicle incident.[73] In April 2018, S. J. Clarkson was announced as the film's director.[74] By August 2018, talks with Pine and Hemsworth had fallen through after the studio reportedly wanted to reduce their salaries in response to the poor financial performance of Beyond.[75] According to Hemsworth, the reason for his exit was because he had found the script underwhelming.[76] In January 2019, it was reported that Paramount had cancelled the fourth reboot film.[77][78]
In December 2017, Deadline Hollywood reported that Quentin Tarantino was working on a Star Trek theatrical installment with Abrams, with the intention being that the former will direct the film.[79]Mark L. Smith, Lindsey Beer, Megan Amram and Drew Pearce took part in the writers room before Paramount finalized a deal with Smith to write the screenplay.[80] Tarantino said that he plans to continue developing the film once he finishes post-production on Once Upon a Time in Hollywood.[81]
Reception[edit]
Box office performance[edit]
Film | Release date | Box office gross | Budget | Reference | |||
---|---|---|---|---|---|---|---|
North America | Other territories | Worldwide | Adjusted North America[82] | ||||
The Motion Picture | December 7, 1979 | $82,258,456 | $56,741,544 | $139,000,000 | $283,963,281 | $35 million | [83] |
The Wrath of Khan | June 4, 1982 | $78,912,963 | $16,887,037 | $95,800,000 | $207,470,586 | $12 million | [84] |
The Search for Spock | June 1, 1984 | $76,471,046 | $10,528,954 | $87,000,000 | $184,417,202 | $18 million | [85] |
The Voyage Home | November 26, 1986 | $109,713,132 | $23,286,868 | $133,000,000 | $250,768,115 | $24 million | [86] |
The Final Frontier | June 9, 1989 | $52,210,049 | $17,989,951 | $70,200,000 | $105,527,372 | $30 million | [87] |
The Undiscovered Country | December 6, 1991 | $74,888,996 | $22,011,004 | $96,900,000 | $137,756,963 | $27 million | [88] |
Generations | November 18, 1994 | $75,671,262 | $44,328,738 | $120,000,000 | $127,913,995 | $38 million | [89] |
First Contact | November 22, 1996 | $92,027,888 | $57,972,112 | $150,000,000 | $147,014,209 | $46 million | [90] |
Insurrection | December 11, 1998 | $70,187,658 | $47,612,342 | $117,800,000 | $107,889,522 | $70 million | [91] |
Nemesis | December 13, 2002 | $43,254,409 | $24,058,417 | $67,312,826 | $60,252,071 | $60 million | [92] |
Star Trek | May 8, 2009 | $257,730,019 | $127,950,427 | $385,680,446 | $300,984,848 | $150 million | [93] |
Into Darkness | May 16, 2013 | $228,778,661 | $238,602,923 | $467,381,584 | $246,067,791 | $190 million | [94] |
Beyond | July 22, 2016 | $158,848,340 | $184,623,476 | $343,471,816 | $165,830,443 | $185 million | [95] |
Total | $1,400,952,879 | $865,770,317 | $2,273,546,672 | $2,325,856,398 | $885 million | [96] |
Critical response[edit]
Film | Rotten Tomatoes | Metacritic | CinemaScore | Roger Ebert |
---|---|---|---|---|
The Motion Picture | 44% (36 reviews)[97] | 48 (16 reviews)[98] | N/A | 3 Stars[99] |
The Wrath of Khan | 88% (51 reviews)[100] | 67 (18 reviews)[101] | N/A | 3 Stars[102] |
The Search for Spock | 79% (43 reviews)[103] | 56 (17 reviews)[104] | N/A | 3 Stars[105] |
The Voyage Home | 85% (40 reviews)[106] | 71 (17 reviews)[107] | A+[108] | 3.5 Stars[109] |
The Final Frontier | 22% (45 reviews)[110] | 43 (16 reviews)[111] | A−[108] | 2 Stars[112] |
The Undiscovered Country | 83% (52 reviews)[113] | 65 (18 reviews)[114] | A−[108] | 3 Stars[115] |
Generations | 49% (51 reviews)[116] | 55 (22 reviews)[117] | B+[108] | 2 Stars[118] |
First Contact | 93% (55 reviews)[119] | 71 (18 reviews)[120] | A−[108] | 3.5 Stars[121] |
Insurrection | 55% (67 reviews)[122] | 64 (19 reviews)[123] | B+[108] | 2 Stars[124] |
Nemesis | 38% (162 reviews)[125] | 51 (29 reviews)[126] | A−[108] | 2 Stars[127] |
Star Trek | 94% (342 reviews)[128] | 82 (46 reviews)[129] | A[108] | 2.5 Stars[130] |
Into Darkness | 85% (279 reviews)[131] | 72 (43 reviews)[132] | A[108] | 2.5 Stars*[133] |
Beyond | 85% (292 reviews)[134] | 68 (50 reviews)[135] | A–[108] | 2.5 Stars*[136] |
* Not reviewed by Roger Ebert[133]
Academy Awards[edit]
Film | Art Direction | Cinematography | Makeup | Original Score | Sound Editing | Sound Mixing | Visual Effects |
---|---|---|---|---|---|---|---|
The Motion Picture (1979) | Nominated | Nominated | Nominated | ||||
The Wrath of Khan (1982) | |||||||
The Search for Spock (1984) | |||||||
The Voyage Home (1986) | Nominated | Nominated | Nominated | Nominated | |||
The Final Frontier (1989) | |||||||
The Undiscovered Country (1991) | Nominated | Nominated | |||||
Generations (1994) | |||||||
First Contact (1996) | Nominated | ||||||
Insurrection (1998) | |||||||
Nemesis (2002) | |||||||
Star Trek (2009) | Won | Nominated | Nominated | Nominated | |||
Into Darkness (2013) | Nominated | ||||||
Beyond (2016) | Nominated |
Production timeline[edit]
See also[edit]
Notes[edit]
- ^This count includes The Animated Series, and the original pilot, 'The Cage'. Two-part episodes that were not originally aired at the same time are considered two separate episodes. Ten feature-length episodes were originally aired as two-hour presentations, however, they are counted two individual episodes.
- ^Originally entitled Star Trek, it has in recent years become known as Star Trek: The Original Series or as 'Classic Star Trek'—retronyms that distinguish it from its sequels and the franchise as a whole.
- ^Film titles of the North American and UK releases of the films no longer contained the number of the film following the sixth film (the sixth was Star Trek VI: The Undiscovered Country but the seventh was Star Trek Generations). However, European releases continued using numbers in the film titles until Nemesis.
- ^Star Trek (2009), Into Darkness, and Beyond are often considered to be, and referred to as, a 'reboot'. They are also a continuation of the franchise that establishes an alternate reality from the previous films. This was done to free the new films from the restrictions of continuity without completely discarding it. This new reality was informally referred to by several names, including the 'Abramsverse', 'JJ Trek', the 'alternate timeline' and 'NuTrek'. It was named the 'Kelvin Timeline', as opposed to the 'Prime Timeline' of the original series and films, by Michael and Denise Okuda for use in reference guides and encyclopedias. The name Kelvin comes from the USS Kelvin, a starship involved in the event that creates the new reality in Star Trek (2009). Leonard Nimoy plays an older version of Spock in the film Star Trek to help link the two timelines.
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Sources[edit]
- Trimble, Bjo (Oct 1986). Stine, Hank (ed.). On the Good Ship Enterprise: My 15 Years with Star Trek (Reprint ed.). Norfolk, Virginia: The Donning Company. ISBN0-89865-253-7.
- Turnbull, Gerry, ed. (Oct 1979). A Star Trek Catalog. New York: Grosset & Dunlap. ISBN0-441-78477-1.
Retrieved from 'https://en.wikipedia.org/w/index.php?title=List_of_Star_Trek_films_and_television_series&oldid=899301097#Feature_films'
Furious 7 | |
---|---|
Directed by | James Wan |
Produced by |
|
Written by | Chris Morgan |
Based on | Characters by Gary Scott Thompson |
Starring | |
Music by | Brian Tyler |
Cinematography | |
Edited by |
|
Distributed by | Universal Pictures |
Release date |
|
137 minutes[1] | |
Country | United States[2] |
Language | English |
Budget | $190 million[3] |
Box office | $1.516 billion[3] |
Furious 7 (alternatively known as Fast & Furious 7 and Fast Seven)[4] is a 2015 American action film directed by James Wan and written by Chris Morgan and Reilly Sutherland. It is the seventh installment in The Fast and the Furious franchise. The film stars Vin Diesel, Paul Walker, Dwayne Johnson, Michelle Rodriguez, Tyrese Gibson, Chris 'Ludacris' Bridges, Jordana Brewster, Djimon Hounsou, Kurt Russell, and Jason Statham. Furious 7 follows Dominic Toretto (Diesel), Brian O'Conner (Walker), and the rest of their team, who have returned to the United States to live normal lives after securing amnesty for their past crimes in Fast & Furious 6 (2013), until Deckard Shaw (Statham), a rogue special forces assassin seeking to avenge his comatose younger brother, puts the team in danger once again.
With the previous three installments set between 2 Fast 2 Furious (2003) and The Fast and the Furious: Tokyo Drift (2006), Furious 7 is the first installment in the franchise to take place after Tokyo Drift. The film also marks the final film appearance of Walker, who died in a single-vehicle crash on November 30, 2013 with filming only half-completed.[5] Following Walker's death, filming was delayed for script rewrites, and his brothers, Caleb and Cody, were used as stand-ins to complete his remaining scenes.[6] These script rewrites completed the story arcs for both Walker and Brewster's characters, which were subsequently retired.
Plans for a seventh installment were first announced in February 2012 when Johnson stated that production on the film would begin after the completion of Fast & Furious 6. In April 2013, Wan, predominantly known for horror films, was announced to direct the film in place of Justin Lin, who left the franchise after directing the previous four installments. Casting began in the same month with the returns of Diesel and Walker, and an initial release date was set. Principal photography began in Atlanta, Georgia, in September 2013, resumed in April 2014 and ended in July 2014, with other filming locations including Los Angeles, Colorado, Abu Dhabi, and Tokyo.
Furious 7 premiered in Los Angeles on April 1, 2015, and was theatrically released in the United States on April 3, 2015, playing in 3D, IMAX 3D, and 4DX internationally. Upon release, the film became a critical and blockbuster success, with praise being aimed at the film's action sequences and its emotional tribute to Walker. The film grossed $397.6 million worldwide during its opening weekend, which is the sixth highest-grossing opening of all time. The film has grossed over $1.5 billion worldwide, making it the highest-grossing film of the franchise after just twelve days, the third highest-grossing film of 2015[7] and the eighth highest-grossing film of all time.
A sequel, The Fate of the Furious, was released on April 14, 2017.
- 3Production
- 5Release
- 6Reception
- 6.1Box office
Plot[edit]
After defeating Owen Shaw and his crew and securing amnesty for their past crimes,[N 1]Dominic 'Dom' Toretto, Brian O'Conner and the rest of their team have returned to the United States to live normal lives again. Brian begins to accustom himself to life as a father, while Dom tries to help Letty Ortiz regain her memory. Meanwhile, Owen's older brother, Deckard Shaw, breaks into the secure hospital that the comatose Owen is being held in and swears vengeance against Dom and his team, before breaking into Luke Hobbs' Diplomatic Security Service (DSS) office to extract profiles of Dom's crew. After revealing his identity, Shaw engages Hobbs in a fight, and escapes when he detonates a bomb that severely injures Hobbs. Dom later learns from his sister Mia that she is pregnant again and convinces her to tell Brian. However, a bomb, disguised in a package sent from Tokyo, explodes and destroys the Toretto house just seconds after Han, a member of Dom's team, is killed by Shaw in Tokyo.[N 2] Dom later visits Hobbs in a hospital, where he learns that Shaw is a rogue special forces assassin seeking to avenge his brother. Dom then travels to Tokyo to claim Han's body, and meets and races Sean Boswell, a friend of Han's who gives him personal items found at Han's crash site.
Back at Han's funeral in Los Angeles, Dom notices a car observing them, and after a chase, confronts its driver, who is revealed to be Shaw. Both prepare to fight, but Shaw flees when a covert ops team arrives and opens fire, led by Mr. Nobody. Nobody says that he will assist Dom in stopping Shaw if he helps him obtain God's Eye, a computer program that uses digital devices to track down a person, and save its creator, a hacker named Ramsey, from a mercenary named Mose Jakande. Dom, Brian, Letty, Roman Pearce, and Tej Parker then airdrop their cars over the Caucasus Mountains in Azerbaijan, ambush Jakande's convoy, and rescue Ramsey. The team then heads to Abu Dhabi, where a billionaire has acquired the flash drive containing God's Eye, and manages to steal it from the owner. With God's Eye near telecommunications repeaters, the team tracks down Shaw, who is waiting at a remote factory. Dom, Brian, Nobody and his team attempt to capture Shaw, but are ambushed by Jakande and his men and forced to flee while Jakande obtains God's Eye. At his own request, the injured Nobody is left behind to be evacuated by helicopter while Brian and Dom continue without him. To reduce their disadvantage, the crew returns to Los Angeles to fight Shaw, Jakande and his men. Meanwhile, Brian promises Mia that once they deal with Shaw, he will retire and fully dedicate himself to their family.
While Jakande pursues Brian and the rest of the team with a stealth helicopter and an aerial drone, Ramsey attempts to hack into God's Eye. Hobbs, seeing the team in trouble, leaves the hospital and destroys the drone with an ambulance. Brian engages Jakande's henchman Kiet and throws him down an elevator shaft before hijacking a signal repeater tower, allowing Ramsey to regain control of God's Eye and shut it down. Dom and Shaw engage in a one-on-one brawl on top of a public parking garage, before Jakande intervenes and attacks them both. Shaw is defeated when part of the parking garage collapses beneath him. Dom then launches his vehicle at Jakande's helicopter, tossing Shaw's bag of grenades onto its skids, before injuring himself when his car lands and crashes. Hobbs then shoots the bag of grenades from ground level, destroying the helicopter and killing Jakande. Dom is pulled from the wreckage of his car, believed to be dead. As Letty cradles Dom's body in her arms, she reveals that she has regained her memories, and that she remembers their wedding. Dom regains consciousness soon after, remarking, 'It's about time'.
Shaw is taken into custody by Hobbs and locked away in a secret, high-security prison. At a beach, Brian and Mia play with their son while Dom, Letty, Roman, Tej, and Ramsey observe, acknowledging that Brian is better off retired with his family. Dom silently leaves, Ramsey asks if he's gonna say goodbye. Dom says, 'It's never goodbye.' He drives away, but Brian catches up with him at a crossroad. As Dom remembers the times that he had with Brian, they bid each other farewell and drive off in separate directions.
Cast[edit]
Furious 7 marked the final film performance of Paul Walker, who died in a car accident on November 30, 2013. The film was dedicated to his memory.
- Vin Diesel as Dominic Toretto, a former criminal and professional street racer who has retired and settled down with his wife, Letty.
- Paul Walker as Brian O'Conner, a former FBI agent turned criminal and professional street racer who has retired and settled down with his partner, Mia, and their son, Jack. This was Walker's last role in a film before his death in a single-vehicle crash on November 30, 2013.
- Caleb and Cody Walker, Paul's younger brothers, were used among others as stand-ins to complete his remaining scenes following their brother's death.[6]
- Dwayne Johnson as Luke Hobbs, a DSS agent who allied with Dom and his team after their outings in Rio de Janeiro and Europe. Johnson initially said that if Universal Pictures pursued the accelerated development of a seventh film beginning in the summer, he would be unable to participate due to scheduling conflicts with filming on Hercules.[8] However, as production for the film would commence in September, he confirmed his return for the film, as Hercules would complete production in time to enable him to film a significant part.[9]
- Michelle Rodriguez as Letty Ortiz, Dom's wife and a professional street racer, who was revealed to have suffered from amnesia after being presumed dead in Fast & Furious.
- Tyrese Gibson as Roman Pearce, a former criminal and childhood friend of Brian from Barstow, and a member of Dom's team.
- Chris 'Ludacris' Bridges as Tej Parker, a mechanic from Miami and a member of Dom's team.
- Jordana Brewster as Mia Toretto, Dom's younger sister and a former member of his team who has settled down with her partner, Brian, and their son, Jack.
- Djimon Hounsou as Mose Jakande, a Somali mercenary and terrorist who leads a private military company that allies with Shaw and uses the God's Eye to track its creator and use her to track down his enemies.[10]
- Tony Jaa as Kiet, a member of Jakande's team who possesses great agility, athleticism and fighting prowess. Thai martial arts actor Jaa was confirmed to have joined the cast in August 2013, making his Hollywood debut.[11][12]
- Ronda Rousey as Kara, the Head of Security for an Abu Dhabi billionaire. Rousey's involvement was confirmed in August 2013. Having committed to The Expendables 3 at the same time (along with Russell, who later pulled out, and Statham), Rousey was forced to shoot both films back-to-back in order to allow herself 45 days to focus on training for her UFC championship rematch against Miesha Tate. Her participation in the film was similar to that of Gina Carano making the transition from mixed martial arts fighting to acting, following Carano's involvement in Fast & Furious 6.[13]
- Nathalie Emmanuel as Ramsey, a British computer hacktivist and the creator of the God's Eye, who allies with Dom and his team after being saved from Jakande and helps them to regain control of her program.[10]
- Kurt Russell as Mr. Nobody, the leader of a covert ops team who agrees to help Dom stop Shaw if he can help him prevent Jakande from obtaining a computer program called the God's Eye.
- Jason Statham as Deckard Shaw, a rogue special forces assassin seeking to avenge his comatose younger brother after his hospitalization at the hands of Dom and his team in Spain.
- Sung Kang as Han, a member in Dominic's crew, appearing in archive footage.
- Gal Gadot as Gisele, a member in Dominic's crew, appearing in archive footage.
- Lucas Black as Sean Boswell, an American street racer who lives in Tokyo whom Dom meets when he travels to Tokyo to claim the body of Han, a mutual friend of theirs killed by Shaw. In September, it was confirmed that Black had signed on to reprise his role as Boswell for Furious 7 and two more installments.[14][15]
- Elsa Pataky as Elena Neves, a DSS agent and former Rio police officer who moved to the United States to become Hobbs' new partner at the DSS.
- Noel Gugliemi as Hector, a street race organizer, reprising his role from the first film.
- John Brotherton as Sheppard, Mr. Nobody's right-hand man.[10][16][17][18]
- Ali Fazal plays Safar, a friend of Ramsey to whom she sent the God's Eye for safekeeping. Fazal described his role as a cameo.[19]
- Luke Evans briefly reprises his role from the previous film as Owen Shaw, the comatose younger brother of the film's primary antagonist.[20]
- Australian rapper Iggy Azalea makes a cameo appearance as a Race Wars fan and a female racer; she contributed to the soundtrack.[21][22][23] American singer-rapper T-Pain appears as himself as he DJs a party in Abu Dhabi.[24][25]Klement Tinaj cameos as a Race Wars Racer.[26]
- Bow Wow and Nathalie Kelley appear in archive footage from The Fast and the Furious: Tokyo Drift as Twinkie and Neela, respectively.
- Tego Calderón and Don Omar appear as Tego Leo and Rico Santos, respectively, in archive footage from Fast Five.
Production[edit]
Development[edit]
On October 21, 2011, the Los Angeles Times reported that Universal Studios was considering filming two sequels--Fast Six and Fast Seven—back-to-back with a single storyline running through both films. Both would be written by Chris Morgan and directed by Justin Lin, who had been the franchise's writer and director, respectively, since The Fast and the Furious: Tokyo Drift (2006).[27] On December 20, 2011, following the release of Fast Five, Vin Diesel stated that Fast Six would be split into two parts, with writing for the two films occurring simultaneously. On the decision, Diesel said:[28]
We have to pay off this story, we have to service all of these character relationships, and when we started mapping all that out it just went beyond 110 pages .. The studio said, 'You can't fit all that story in one damn movie!'[28]
However, in an interview on February 15, 2012, Dwayne Johnson stated that the two intended sequels would no longer be filmed simultaneously because of weather issues in filming locations, and that production on Fast Seven would only begin after the completion of Fast Six.[29]
In April 2013, during post-production of the retitled Fast & Furious 6, Lin announced that he would not return to direct a seventh film, as the studio wanted to produce the film on an accelerated schedule for release in summer 2014. This would have required Lin to begin pre-production on the sequel while performing post-production on Fast & Furious 6, which he considered would affect the quality of the final product. Despite the usual two-year gap between the previous installments, Universal chose to pursue a sequel quicker due to having fewer reliable franchises than its competitor studios.[30] However, subsequent interviews with Lin have suggested that the sixth film was always intended to be the final installment under his direction.[31]
In April 2013, Australian director James Wan, predominantly known for horror films, was announced as the sequel's director, with Neal H. Moritz and Michael Fottrell returning to produce and Morgan returning to write the script, his fifth in the franchise. On April 16, 2013, Diesel announced that the sequel would be released on July 11, 2014.[32] In May 2013, Diesel said that the sequel would feature Los Angeles, Tokyo, and the Middle East as locations.[33][34]
Filming[edit]
Principal photography began in early September 2013 in Atlanta, Georgia, with a casting call issued.[35][36]Abu Dhabi was also a filming location;[37] the production crew chose it over Dubai, as they would benefit from the Emirate's 30% rebate scheme.[38]Pikes Peak Highway in Colorado was closed in September to film some driving sequences.[39]
On September 16, the production filmed with Paul Walker and the Kimsey twins, playing his son, Jack,[40] in front of an Atlanta elementary school.[41] Han's funeral scene was filmed at Oakland Cemetery,[42] with extras needed for the scene being 'hot, hip and trendy cool types of all ethnicities between the ages of 18 and 45'.[43] On the evening of September 19, Lucas Black joined the production[44] for his sole scene with Diesel, in an Atlanta parking garage. Separate scenes with Walker also shot in the same location on the same night,[45] including one half of a phone conversation between his character and Jordana Brewster's. The day after, Diesel posted a picture from the night shoot with Black on his Facebook page.[46]
On October 24, over a month into the film's production, Johnson tweeted he had started shooting for the film after wrapping up on Hercules.[47] Five days later, Diesel posted the first photo of Johnson on the set, in the hospital scene.[48]
On November 30, 2013, while on a break for the Thanksgiving holiday, Walker, who portrayed Brian O'Conner, died in a single-vehicle accident.[49][50] The next day, Universal announced that production would continue after a delay that would allow the filmmakers to rework the film.[51] On December 4, 2013, Universal put production on hold indefinitely.[52] Wan later confirmed that the film had not been cancelled.[53][54][55] On December 22, 2013, Diesel announced on his Facebook page that the film would be released on April 10, 2015.[56] On February 27, 2014, The Hollywood Reporter reported that filming would resume on April 1, and that the cast and crew had headed to Atlanta to prepare for about eight more weeks of shooting.[57] Principal photography ended on July 10, 2014.[4]
Stunts[edit]
The Lockheed C-130 Hercules[58] was used in the film to carry the vehicles that would drop from 12,000 feet high, above the Sonoran Desert, making cars plummet at a speed of about 130 to 140 miles per hour.[59][60]
The 'air drop' sequence was conceived by stunt coordinator, Spiro Razatos, who also supervised on the franchise's two previous installments; Fast Five and Fast & Furious 6.[61][62] Razatos told Business Insider that he wanted to rely more on real stunts rather than CGI because he wanted the whole sequence to 'feel real' and fulfill audience's expectations.[61] The stunt took months of prep-solving problems. Cameras needed to be mounted onto cars in a way that they would not be destroyed when the cars landed, and the crew had to figure out a safe way to get the cars out of the plane. They performed a dry run with a single car falling out of a plane[61] and did this six times.[62] Cars were dropped from a Lockheed C-130 Hercules high above the Arizona desert, but close up shots that show the cars landing on a mountain road were filmed in Colorado.[62] There were two airplanes, flying at a height of 12,000 feet, each dropping two cars apiece.[61]BRS parachutes enabled with GPS were secured to each of the cars before dropping off the C-130 plane. At about 5,000 feet, the parachutes deployed.[62] Over 10 cameras were used for the sequence. In addition to cameras on the ground, there were cameras remotely operated inside the plane and another three mounted outside each car. Additional cameras were on a helicopter, where Razatos was stationed watching monitors. Three skydivers used in the shoot wore helmet cameras to help shoot the sequence from multiple angles. Sky divers would either jump out before cars or after them.[61] While all the cars landed on their drop zones, 70% landed perfectly and 30% didn't.[62] For the close-up scenes which show the actors inside their cars, a giant gimbal with a 360-degree range of movement were attached to each of the cars and was filmed against a green screen to reproduce their tumble through the sky.[63] The last part of the scene, which shows the cars hitting the road was shot separately. To get that right, the team set up a pulley system that had cars six to ten feet above the ground. When they were dropped from the cranes, the stuntmen who were sitting in the driver's seats raced their engines at about 35 to 40 miles per hour and slid to the ground at full speed. Those cranes were then later removed from the film with computers.[62][63] Razatos admits that the air drop sequence was 'all real' and that it would be 'hard to top'.[61][62]
The scene featuring Brian jumping off a bus off a cliff was performed by a stuntman and was all done without any computer graphics.[64] The shooting for this particular sequence along with the scene in which Dom and his team are pursuing to rescue Ramsey almost didn't happen due to the absence of tax break in Colorado.[64] The studio originally wanted to shoot the sequence in Georgia which provides tax breaks for film productions, and then they'd add woods in the background later in post production to which Razatos denied saying, 'the audience is going to know [it's CGI] and aren't going to feel good about it.'[64] Shooting finally took place in Colorado.[64]
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A total of 340 cars were used in the film,[63] and more than 230 cars were destroyed in the making of the film, including several black Mercedes-Benzes, a Ford Crown Victoria, and a Mitsubishi Montero.[65] The film featured the on-screen destruction of a Lykan HyperSport by W Motors, valued at $3.4 million,[66] though the actual car destroyed was a less expensive model made for the film rather than one of the seven actual production HyperSports.[67] The mountain-highway chase scene on Colorado's Monarch Pass proved to be the most damaging sequence with over 40 vehicles being destroyed.[65][68] Only 10 percent of the action sequences in the film were computer-generated, and even then, much of the CGI was employed simply to erase the wires and other contraptions that were used to film real cars and drivers or to add a background.[63] It took more than 3,500 man-days to complete the various stunts of the film.[63] For safety reasons, stunt coordinator, Joel Kramer said that he doesn't let his drivers go above 50 miles per hour.[69]
Redevelopment of Walker's character[edit]
When I first heard the news, I was shell-shocked like everyone, and it took me days to come to terms with it. And then after that, heartbreaks started sinking in and we realized that Paul [Walker] wasn't going to be around with us anymore moving forward, and it was a really hard one. And finishing the movie was the last thing on my mind at that point. It was more the idea of .. picking up the pieces, going back on set, rallying the team, the cast, and the crew, and as the director, having to put on the brave face and champion and push everyone along. The idea of that was very daunting for me, but it became very apparent to all of us that we needed to finish this movie to honour Paul's legacy and to basically honour his memories .. it was about making this movie for Paul.
—James Wan, director of Furious 7[70]
In January 2014, Time reported that Walker's character, Brian O'Conner, would be retired instead of killed, and that new scenes would be developed in order to allow the franchise to continue without him.[71] To recreate Walker's likeness, the filmmakers hired Peter Jackson's Weta Digital visual effects house (which had previously produced the imagery of Gollum in The Lord of the Rings franchise and Caesar in the Planet of the Apes franchise).[72] Initially, what Weta could do was severely constrained by the quality of the reference materials available for Walker's physical appearance.[72] In April 2014, it was reported that Walker's brothers Caleb and Cody had been hired as stand-ins.[73] Their cooperation, along with their strong resemblance to their late brother, enabled the filmmakers to use Walker's likeness throughout the finished film.[72] That is, Weta Digital no longer needed to recreate Walker's entire body from scratch, and could focus on accurately modeling his face.[72] The final film showed Walker's face superimposed over the bodies of his brothers or actor John Brotherton in 350 visual effects shots.[72] 260 used a computer-generated face, while 90 repurposed actual footage of Walker's face borrowed from outtakes or older footage.[72]
Music[edit]
The musical score was composed by Brian Tyler, who scored the third, fourth, and fifth installments of the series.[74] 'There's an emotional component to Fast & Furious 7 that is unique', said Tyler about his experience scoring. 'I think people are really going to be amazed by it.'[75] A soundtrack album to the film was released by Atlantic Records on March 17, 2015.[76]
Songs featured in the film include:
- 'Go Hard or Go Home' (Wiz Khalifa & Iggy Azalea)[77]
- 'Ride Out' (Kid Ink, Tyga, Wale, YG & Rich Homie Quan)[78]
- 'See You Again' (Wiz Khalifa and Charlie Puth)
- 'My Angel' (Prince Royce)
- 'Hamdulillah' (Narcy feat. Shadia Mansour)
- 'Get Low' (Dillon Francis and DJ Snake)
- 'Ay Vamos' (J Balvin feat. Nicky Jam and French Montana)
- 'Tempest' (Deftones)
- 'Meneo' (Fito Blanko)
- 'Payback' (Juicy J, Kevin Gates, Future and Sage the Gemini)
Wiz Khalifa and Charlie Puth's 'See You Again', which plays over the film's emotional ending, received both popular and critical acclaim. It was shortlisted for the Song of the Year for the BBC Music Awards and was nominated for Best Original Song at the 73rd Golden Globe Awards.[79] 'See You Again' was the best selling-song of 2015 worldwide, with combined sales and track-equivalent streams of 20.9 million units according to IFPI.[80]
Release[edit]
The film, which began principal photography in September 2013, was originally designed as a Summer 2014 release. It was put on hold following the fatal car crash that claimed Paul Walker's life on November 30, 2013. The production resumed in April 2014. In October 2014, Universal revealed that the film was officially titled Furious 7,[81] and that the debut trailer would be released during an interactive fan event over social media. In the days leading up to the event, seven-second, behind-the-scenes videos were released, titled '7 Seconds of 7'.[81] On February 1, 2015, a new trailer featuring all-new footage debuted during Super Bowl XLIX.
The film was originally scheduled for release on April 10, 2015, but it was announced that the film's release date had been brought forward a week to April 3, 2015 (the same release date from the 2009 film Fast & Furious). The official announcement in change of date was made in July 2014.[82]Furious 7 premiered at the SXSW Film Festival at 12:07 a.m. at Austin's Paramount Theatre on March 16, 2015.[83] On March 27, 2015, a free standalone expansion for the video game Forza Horizon 2, titled Forza Horizon 2 Presents Fast & Furious, was released to help promote the film.[84] For its global premiere at the TCL Chinese Theatre in Los Angeles on April 1, 2015, IMAX Corporation installed a new laser projection which was the first such installation in the U.S. and the second worldwide, following The Hobbit: The Battle of the Five Armies, which opened at Scotiabank Theatre in Toronto in December 2014.[85]
Unauthorized distribution[edit]
According to infringement tracking site Excipio, the film was downloaded illegally 2.59 million times in four days (April 2–6) through various torrent sites with India being the top country for the illegal downloading with 578,000 downloads followed by Pakistan (321,000), China (289,000), the U.S. (251,000) and the UK (101,000).[86] A survey revealed that most Indians tended to resort to copyright violation due to lack of availability, pricing concerns, soaring internet costs and censorship, but the main reason being that most of the films are released months after their US dates.[87] It was illegally downloaded 44,794,877 times in 2015, making it the most pirated film released that year and the second most pirated film overall, behind Interstellar which saw over 46.7 million illegal downloads the same year.[88]
Home media[edit]
Furious 7 was released on 7 September 2015 in the UK and was released via DVD and Blu-ray on September 15, 2015 in other countries. The Blu-ray edition features an all new extended edition, deleted scenes, stunts, behind-the-scenes, and the music video for Wiz Khalifa and Charlie Puth's 'See You Again'. The Blu-ray and DVD version include behind-the-scene footage of the 'Race Wars' scene including rapper Iggy Azalea and making of the cars featured in the film.[89] In the U.S. and Canada, it sold roughly 2.5 million units on Blu-ray and DVD in its first week of release, making it the highest-selling home entertainment live-action film of 2015.[90] This record was later surpassed by Jurassic World the following month,[91] which in turn was surpassed by Star Wars: The Force Awakens by the end of the year.
Reception[edit]
Box office[edit]
Furious 7 made $353 million in the United States and Canada and $1.163 billion in other countries, for a worldwide total of $1.516 billion, against its $190 million production budget.[3] Worldwide, it is the eighth highest-grossing film of all time,[92] the third highest-grossing film of 2015,[93] the highest-grossing film in The Fast and the Furious franchise and the second highest-grossing Universal Pictures film.[94] It was also the fastest film to reach the $1 billion mark at the time, doing so in 17 days;[95][96][97] It is also the 20th film to gross over $1 billion. It also became the first film to pass 1 million in 4DX admissions worldwide.[98]Deadline Hollywood calculated the net profit of the film to be $513 million, when factoring together all expenses and revenues for the film.[99]
Worldwide, Furious 7 was released across 810 IMAX theaters, which was the largest worldwide rollout in IMAX's history,[100][101] Its worldwide opening of $397.6 million was the fifth-highest opening of all time.[102] The film had an IMAX opening weekend total of $20.8 million.[103]Furious 7 also became the first of three films distributed by Universal Pictures with Jurassic World and Minions to earn more than $1 billion in its original run.
North America[edit]
Predictions for the opening weekend of Furious 7 in the United States and Canada were continuously revised upwards, starting from $115 million to $150 million.[104][105] It opened on Friday, April 3, 2015, across 4,004 theaters, including 365 IMAX theaters, which made it the widest opening for a Fast and Furious film and Universal's widest opening release ever (until first surpassed by Jurassic World and Minions).[106][107][108] and earned $67.3 million, marking the tenth-biggest opening day.[109][110] The film's Friday gross included a $15.8 million late-night run (which began at 7 p.m.), from 3,069 theaters, marking Universal's highest late-night run, of which $2.2 million came from IMAX showings, marking the third largest IMAX preview gross ever.[111][112] Based on pure Friday gross (with the omission of revenues from Thursday shows), it earned $51.5 million, marking the fifth-biggest of all time.[113][114] Through Sunday, April 5, it had an opening weekend total of $147.1 million, breaking the record for the biggest April opening (the record was later broken in 2018 by Avengers: Infinity War with $257.7 million),[115] the biggest opening in the Fast & Furious franchise, the biggest Easter opening (the record was broken a year later by Batman v Superman: Dawn of Justice's opening gross of $166 million),[116] the fourth-biggest opening of 2015, the third biggest pre-summer opening ever,[117] and the thirteenth-biggest opening of all time.[118] It earned an IMAX opening weekend total of $13.3 million, marking the second-biggest of all time for a 2D movie.[119][120] Premium large format comprised 8% ($11.5 million) of the total opening gross from 400 PLF screens, which is the biggest 2D PLF opening.[121] It was Universal's fastest film to reach the $200 million mark at the time, doing so in eight days.[122][123]
In its second weekend, the film expanded to 4,022 theaters, thereby breaking its own record of being the widest Universal Pictures release ever, and earned an estimated $59.6 million, declining by 60%, which is the third best second weekend holdover for a pre-summer film release.[124][125] It became the highest-grossing film in the Fast & Furious franchise, doing so only in ten days (the previous record which was held by Fast & Furious 6 took fifteen weeks to reach its entire lifetime gross of $238.67 million).[124][126] It also set the record for the biggest second-weekend April gross.[127] It topped the box office for four consecutive weekends,[128] becoming the first film to top the box office for four consecutive weekends since The Hunger Games in March 2012 and one of only 29 films since 1985 to have had four straight box office wins during their theatrical runs, although this highly depends on many factors, including the release time and the competition around.[129][130] It ended its theatrical run on July 24, 2015, playing in theaters for a total of 112 days[3] and became the thirty-first highest-grossing film of all time,[131] the fifth highest-grossing film of 2015,[132] the highest-grossing film in The Fast and the Furious franchise,[133] the second highest-grossing Universal film of 2015 (behind Jurassic World and Minions),[134] and the fifth highest-grossing film distributed by Universal.[134]
Outside North America[edit]
Outside the US and Canada, the film became the third highest-grossing film,[135]the highest-grossing Universal distributed film,[135] and the highest-grossing 2015 film.[136] On April 26, 2015, it became the third film in cinematic history to earn over $1 billion overseas.[137] It opened on Wednesday, April 1, 2015, in 12 countries, earning $16.9 million (including previews from 22 countries).[138] It opened in 33 more countries on Thursday, April 2, for a total of 45 countries, earning $43 million from 8,407 screens, marking Universal Pictures overseas' highest-grossing Thursday ever, and for a two-day total of $60 million.[139] It added 20 more countries on Friday, April 3, earning $59.2 million from 9,935 screens in 63 countries, for a three-day total of $120.6 million.[140][141] The film set all-time opening-day records in 15 countries including Argentina, Chile, Colombia, Mexico, India, Indonesia, the Middle East and Thailand,[139][142][143][144][145] and opening day records for Universal Pictures in 40 countries including Australia, Brazil, Germany, Italy and Mexico.[140] Through Sunday, April 5, it earned a 4-day opening weekend total of $250.4 million from 10,683 screens in 64 countries, which is the fourth-highest international opening ever, in all which it reached first place at the box office[103][119][146][147] It earned an IMAX opening weekend total of $7.5 million from 175 IMAX screens, breaking the record for the biggest April IMAX gross, previously held by The Winter Soldier ($6.43 million).[103] It set opening weekend records in 29 countries including Argentina, Brazil, Chile, Colombia, Egypt, Malaysia, Mexico, Middle East, Romania, Taiwan, Thailand, Venezuela and Vietnam.[103][146] In its second weekend, it held the top spot and fell gradually by 20.4% to $198.7 million (including China's opening day gross) from 18,374 screens in 66 territories as a result of minor competition, and remaining at number one in all 63 territories where it was released the previous week. It added three new countries in its second weekend; China, Russia and Poland.[148] Earning $167.9 million in its third weekend, it topped the box office outside of North America for three consecutive weekends,[149] until surpassed by Avengers: Age of Ultron in its fourth weekend.[150]
The film was a massive box office hit in China. It opened there on April 12 and set an all-time midnight run record with $8.05 million[148][151] and an opening day record with $68.8 million.[148][152] Its opening day included a record breaking $5 million from IMAX run (also breaking Transformers 4's former record of $3.4 million).[148] Through its opening week (April 12–19), it earned $245.9 million.[149][153] For the weekend alone, it took in $88.7 million from 5,454 screens (Friday to Sunday) and $182.4 million (Monday to Sunday) at the Chinese box office. It grossed CN¥1 billion in five days—the fastest time in which that has been achieved—and soon became the highest-grossing foreign film ever in China.[149][153][154] In 15 days, its gross in China surpassed those in Canada and the United States[155] and became the first film in China to make more than 2 billion renminbi.[156] Its success has been credited to China Film Group Corporation, the state-owned film distributor, which had invested considerably in the film, reportedly taking a 10% stake.[157]
The largest openings outside North America and China occurred in Mexico ($21.5 million), the UK, Ireland and Malta ($18.7 million), Germany ($15.9 million), Russia and the CIS ($15.9 million), Brazil ($11.4 million), France ($11.4 million), Australia ($11.3 million), Taiwan ($10.3 million), Argentina ($9.3 million), Korea ($8.9 million), India ($8.7 million), Italy ($8.2 million), Malaysia ($7.3 million), Spain ($6.3 million), Venezuela ($6 million), Thailand ($6 million), Colombia ($5.2 million)[146][148] and Pakistan ($2.4 million). In the UAE, where parts of the film was shot, it opened with $4.8 million.[146] Out of the 68 countries it was released in, the only country not to open at number one was Japan (locally released with the title, Wild Speed: Skymission) where it earned $6.2 million in its opening weekend, behind Dragon Ball Z: Resurrection 'F' ($7.6 million).[149] and Detective Conan: Sunflowers of Inferno ($7.4 million).[158] It became the highest-grossing film of all time in Argentina, Colombia, Ecuador, Indonesia, Malaysia, South Africa, the UAE, Uruguay, Trinidad and Vietnam and Universal Pictures' highest-grossing film of all time in 29 countries including Argentina, China, Ecuador, Egypt, India, Indonesia, Lebanon, Malaysia, Mexico, Paraguay, Peru, Thailand, Turkey, UAE and Vietnam.[149] In Latin America, it became the second highest-grossing film ($200 million), the first time Universal has reached the milestone and the second film in history to earn more than $200 million after The Avengers.[159] In total earnings, the largest countries outside the U.S. and Canada are China ($391.2 million), the UK, Ireland and Malta ($60 million), Mexico ($50.9 million), Brazil, ($46.5 million) and Germany ($40.3 million).[160][161][162] It grossed a total of $39 million in IMAX ticket sales in China, the biggest ever in the market.[163]
Critical response[edit]
Furious 7 received positive reviews, with critics praising the film's action set pieces, performances, and its poignant tribute to Walker.[164] Review aggregation website Rotten Tomatoes reports an 81% rating based on 253 reviews, and an average rating of 6.6/10. The website's critical consensus reads, 'Serving up a fresh round of over-the-top thrills while adding unexpected dramatic heft, Furious 7 keeps the franchise moving in more ways than one.'[165] On Metacritic the film has a score of 67 out of 100, based on 44 critics, indicating 'generally favorable reviews'.[166] In CinemaScore polls conducted during the opening weekend, cinema audiences gave Furious 7 an average grade of 'A' on an A+ to F scale.[167]
The film received highly positive reviews upon release at a secret screening at the 2015 SXSW Film Festival on March 16, 2015. Ramin Setoodeh of Variety noted that fans started lining up outside four hours before the film was scheduled to start. The film closed with a tribute to Walker, which left many in the theater 'holding back tears'.[168] Critic Dave Palmer gave the film 7/10, saying, 'Furious 7 is the type of movie Michael Bay has spent his entire career trying to make: filled with shots of scantily clad women, fast cars, and clever one liners'.[169]
A.O. Scott of The New York Times gave the film two and a half stars out of five and said, 'Furious 7 extends its predecessors' inclusive, stereotype-resistant ethic. Compared to almost any other large-scale, big-studio enterprise, the Furious brand practices a slick, no-big-deal multiculturalism, and nods to both feminism and domestic traditionalism.'[170]
John DeFore of The Hollywood Reporter criticized the film however, describing it as 'stupidly diverting', saying the running time was 'overinflated'; he compared watching the film to a morbid game, in addition to criticizing the screenplay.[171]
Download Film Boruto Subtitle Bahasa Indonesia
Accolades[edit]
Year | Award / Film Festival | Category | Recipient(s) | Result | Ref(s) |
---|---|---|---|---|---|
2015 | Teen Choice Awards | Choice Movie: Action | Won | [172] | |
Choice Movie Actor: Action | Vin Diesel | Nominated | |||
Paul Walker | Won | ||||
Choice Movie Actress: Action | Michelle Rodriguez | Nominated | |||
Jordana Brewster | Nominated | ||||
Choice Movie: Villain | Jason Statham | Nominated | |||
Choice Movie: Chemistry | Vin Diesel, Paul Walker, Michelle Rodriguez, Tyrese Gibson, Dwayne Johnson, Ludacris | Nominated | |||
Choice Music: Song from a Movie or TV Show | 'See You Again' by Wiz Khalifa ft. Charlie Puth | Won | |||
2016 | People's Choice Awards | Favorite Movie | Won | [173] | |
Favorite Action Movie | Won | ||||
Favorite Action Movie Actor | Vin Diesel | Nominated | |||
Favorite Action Movie Actress | Michelle Rodriguez | Nominated | |||
Critics' Choice Awards | Best Original Song | 'See You Again' | Won | [174] | |
Best Action Movie | Nominated | ||||
Golden Globe Awards | Best Original Song | 'See You Again' | Nominated | [175] | |
Houston Film Critics Society | Best Original Song | 'See You Again' | Nominated | [176] | |
Screen Actors Guild Awards | Outstanding Performance by a Stunt Ensemble in a Motion Picture | Nominated | [177][178] | ||
Las Vegas Film Critics Society | Best Original Song | 'See You Again' | Won | [179] | |
MTV Movie Awards | Best Action Performance | Vin Diesel | Nominated | [180] | |
Ensemble Cast | Nominated | ||||
Satellite Awards | Best Original Song | 'See You Again' | Nominated | [181] | |
Saturn Award | Best Action or Adventure Film | Won | [182] | ||
Best Editing | Christian Wagner, Dylan Highsmith, Kirk Morri, and Leigh Folsom Boyd | Nominated | |||
Best DVD or Blu-ray Special Edition Release | Furious 7 (Extended Edition) | Nominated | |||
St. Louis Gateway Film Critics Association | Best Original Song | 'See You Again' | Runner-up | [183] | |
Visual Effects Society | Outstanding Visual Effects in a Photoreal Feature | Mike Wassel, Karen Murphy, Martin Hill, Kevin McIlwain, Dan Sudick | Nominated | [184] |
Sequel[edit]
Regarding a possible sequel, Vin Diesel said:
I was trying to keep it close to the vest throughout the release. Paul Walker used to say that [an eighth film] was guaranteed. And in some ways, when your brother guarantees something, you sometimes feel like you have to make sure it comes to pass .. so if fate has it, then you'll get this when you hear about it. [Furious 7] was for Paul, [the eighth film] is from Paul.[185]
Diesel further hinted at an eighth film on Jimmy Kimmel Live! when he stated that Kurt Russell's character would span multiple films. He also stated that the film would take place in New York City.[186] Chris Morgan wrote his sixth script in the franchise, while Neal H. Moritz returned to produce. Moritz later stated, '[The story] is going to have to be something enticing for all of us .. it has to be as good as or better [than Furious 7]'.[187]
At the 2015 CinemaCon in Las Vegas, Diesel announced the film for an April 14, 2017 release date.[188][189] On August 16, 2015, at the 2015 Teen Choice Awards (where Furious 7 received the award for Choice Movie – Action and Walker received the award for Choice Movie Actor – Action), Diesel gave the film the initial title Fast 8.[190] In September 2015, Diesel stated that the script had almost been completed,[191] and expressed interest in Rob Cohen, who directed the first film, to direct the eighth installment.[192] On October 14, 2015, Diesel announced on The Tonight Show Starring Jimmy Fallon that Straight Outta Compton director F. Gary Gray would direct the film.[193][194]
In July 2015, Moritz said that Walker's character, Brian O'Conner, would not appear in the film, following the use of CGI in the previous film after Walker died in a single-vehicle accident on November 30, 2013, with Moritz stating that his character had 'moved on'.[195] It had previously been reported that Paul's younger brother, Cody Walker, would either join the cast in a new role,[196] or replace his older brother in the role of O'Conner;[197] however, it was later announced that the character will not return to the franchise.[198] Moritz also said that the film would shift the focus of the franchise from a series of heist films to a spy caper, following a similar change in focus from street racing in Fast Five (2011).[199] In December 2016, the film was retitled The Fate of the Furious.[200]
See also[edit]
Notes[edit]
- ^As depicted in Fast & Furious 6 (2013).
- ^As depicted in The Fast and the Furious: Tokyo Drift (2006) and Fast & Furious 6.
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- Documents
Download Film Subtitle Indonesia
- Universal Pictures. 'Universal Pictures 'Furious 7' Starring Vin Diesel, Paul Walker, & Dwayne Johnson In Theaters April 3, 2015'. Retrieved June 2, 2015 – via The Videography Blog.
External links[edit]
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